New Reviews for Books Published by Professor Claudia Swan
Dr. Swan's books are reviewed by CAA and Hyperallergic.
Dr. Swan's books are reviewed by CAA and Hyperallergic.
The second volume of the newsletter for the Department of Art History and Archaeology was published in August 2021.
The topic was “Crossing Borders, Constructing Canons: ‘Post-Impressionism’ in Britain, America and Beyond.”
Dr. Aravecchia discussed his work in the Dakhla Oasis.
Dr. Jones received this honor in recognition of his distinguished first scholarly book in the field of classical studies.
Our current PhD Students have been busy pursuing research, making progress in their degree, and contributing meaningfully to the field, despite the disruptions of the past year.
Dr. Miller's chapter, titled "American Exceptionalism at the Modern, 1942-1959: Dorothy Miller's Americans," was included in the edited volume Modern in the Making: MoMA and the Modern Experiment 1929-1949. The book was edited by Sandra Zalman and Austin Porter and published by Bloomsbury Press in 2020. Additionally, she presented a paper at this year's CAA titled "From Democratic Pluralism to Corporate Hegemony: US Art after 1943," part of the panel "Toward a Concrete Transaction: Global Methods for Art in Capital."
The essay, titled "Drawing Limits: Michelangelo Grows Old," is featured in the March 2021 issue of The Art Bulletin.
The Department seeks a specialist in ancient Mediterranean art history and archaeology for a one-semester postdoctoral teaching fellowship (January 1 to June 30, 2022).
This event was of interest to anyone who has ever been asked (or who have asked themselves): what can I do with a PhD in Art History and Archaeology?
Call for Applications: Postdoctoral Fellow in Late Medieval European Art (13th through 15th century), a joint teaching-curatorial position with the Department of Art History and Archaeology at Washington University in St. Louis and the Saint Louis Art Museum
Over the course of the fall, several exciting art events will be offered, including the Laboratory for Suburbia's first "Sprawl Session; "A Transitory Space," an exhibit of artwork by WUSTL MFA students with critical essays by WUSTL Art History and Archaeology graduate students; and Hostile Terrain 94, a multi-sited interactive memorial to the migrants who have been lost while crossing the southern U.S. border