Undergraduate Art History Prizes Awarded
Four graduating seniors received prizes for excellence in Art History
News
Maggie Crosland Joins the Department as the Etta Steinberg Postdoctoral Fellow in Medieval Art
2021 Graduating Art History Majors Share Their Future Plans
Our graduating majors on what's next!
Congratulations to Incoming PhD Student Caitlin Petty
Caitlin Petty wins award from Syracuse University
Department alum Jack Radley works with the Canal Street Research Association
Jack is mentioned in a New York Times article about his work with the group.
AM Students Emily Bryan and Jenny Wu reflect on challenges and achievements of a degree completed in a pandemic
Bryan and Wu started together in the department in the fall of 2019, and had just one normal semester before COVID changed everything. Here they recount how they made the best of a weird situation.
Dr. Nathaniel Jones receives 2021 CAMWS First Book Award
Dr. Jones received this honor in recognition of his distinguished first scholarly book in the field of classical studies.
Tola Porter wins Dean's Award for Teaching Excellence
Delayed recognition for a job well done!
PhD Students Report Successes and Progress
Our current PhD Students have been busy pursuing research, making progress in their degree, and contributing meaningfully to the field, despite the disruptions of the past year.
Professor Claudia Swan's New Book: Rarities of These Lands
Dr. Claudia Swan, the new Mark Steinberg Weil Professor of Art History and Archaeology, has published a monograph titled Rarities of These Lands: Art, Trade and Diplomacy in the Dutch Republic.
The 2021 Ottoson Summer Travel Awards
Three undergraduate Art History & Archaeology majors and minors have been awarded the 2021 Ottoson Summer Travel Awards.
Professor Angela Miller has chapter included in new volume on MoMA and Modern Art in America
Dr. Miller's chapter, titled "American Exceptionalism at the Modern, 1942-1959: Dorothy Miller's Americans," was included in the edited volume Modern in the Making: MoMA and the Modern Experiment 1929-1949. The book was edited by Sandra Zalman and Austin Porter and published by Bloomsbury Press in 2020. Additionally, she presented a paper at this year's CAA titled "From Democratic Pluralism to Corporate Hegemony: US Art after 1943," part of the panel "Toward a Concrete Transaction: Global Methods for Art in Capital."